Eliza Barchus (December 4, 1857 - December 31, 1959) is an American landscape painter who lived in Portland for much of his life. Born in Salt Lake City, Utah, Barchus moved to Portland in 1880. After taking art lessons from another landscape painter, Will S. Parrott, Barchus sold his first painting in 1885. Between that time and 1935, he produced thousands of oil paintings and reproduction. subjects like Mount Hood, Yellowstone Falls, Muir Glacier, and San Francisco Bay.
Barchus, who had won medals at Mechanics Fairs in Portland in the late 1880s, caught national attention in 1890, when one of the great canvases of Mount Hood was featured at the National Academy of Design exhibition in New York City. In 1901, several of his works were featured at the Pan-American Exhibition in Buffalo, New York, and in 1905 he won a gold medal at Lewis and Clark Centennial Exhibition in Portland for a Pacific coastal oil painting.
Widow in 1899, Barchus supported himself and his family for several decades mainly by selling or trading his art. A few years after his death at the age of 102, the Oregon Legislature Assembly named him "The Oregon Artist". Many art collections in Portland and elsewhere include examples of his work.
Video Eliza Barchus
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Born in Salt Lake City, Utah, in 1857, Barchus can not remember much about his father, who died when he was very young. After his death, his mother, Elizabeth, married Jack McDonald, a traveling worker and US Deputy Marshal, and his family moved east to Abilene, Kansas. McDonald's work involves railroad construction, and Barchus and his mother, who guide what Barchus calls "gypsy life," often travels with him on trains. Among the people Barchus met on their way was Wild Bill Hickok. A half sister, Alice, was born when Barchus was nine years old. A brother, Johnny, died at an early age.
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Marriage and children
At age 17, Barchus married John V. Lansing, with whom he had two children, Isabel (Belle) and Blanche, before the marriage failed. Blanche died in infancy, but Isabel, born in 1876, accompanied Barchus and her second husband, John H. Barchus, to Portland in 1880. Lillian, their first child, died at birth. A son, Harold, born in 1891, was followed two years later by a girl, Agnes, who eventually became the author of her mother's biography. John Barchus, whose poor health for many years, died in 1899.
Painting
In 1884, Barchus, who marveled at the Western landscape, began taking art lessons from Will S. Parrott, "the leading artist of the era in Portland." About a year later he sold his first painting, Mount Rainier, for $ 1. In 1887 he won a gold medal at the Portland Mechanical Art Exhibition for a painting of Mount Hood, and in 1888 he won a silver medal at the Mechanical Exhibition for a group of his oil paintings. In 1890, his 40 × 15 inch (100 × 150 cm) oil painting of Mount Hood at the National Academy of Design exhibition in New York City drew the attention of the east.
After 1890, B. B. Rich cigars and souvenir concessions at the Portland Hotel agreed to display and market his paintings. The concession sold many works from his most productive period, extended to about 1920. Her husband, who went south in winter in 1890 to try to improve his health, persuaded the Lichtenberger Art Emporium in Los Angeles to sell his wife's paintings as well.. During these years, to supplement family income, Barchus began trading paintings for work by carpenters, plumbers, and other merchants, as well as the professional services of a dentist and doctor.
In 1901, Barchus exhibited several oil paintings at the Pan-American Exhibition in Buffalo, New York. Four years later, he won a gold medal for "The Best Painting Oil Collection of Pacific Coast Scenes" at Lewis and Clark Centennial Exhibition in Portland. To supplement his income, he sells - in addition to a full-size painting - colored postcards at affordable prices and illustrated brochures with reproductions of his work. These marketing techniques helped support the family after Barchus became a widow, and he produced thousands of works of various sizes in an effective but sometimes criticized "assembly" style.
Traveling extensively in the Western United States from 1890 to about 1920, he painted Cascade Range volcanoes such as Three Sisters, Mount Shasta, and Crater Lake; Columbia River Gorge; Yellowstone Falls; Half Dome in Yosemite National Park; San Francisco Bay; Muir Glacier in Alaska, and hundreds of other places. While at home in Portland and during his travels, he teaches painting classes in Salem and other Oregon cities as well as in Washington, Montana, and Alaska to supplement his income.
Barchus continued to work in oil until the 1930s, placing at a one-artist exhibition in 1931 at the Merchant Exhibition during the Portland International Cattle Fair and taking part in a public art project administered by the US Treasury in 1934. Neither visions nor arthritis functioned to end his career in 1935.
Death and inheritance
Barchus died in 1959 at the age of 102 and was buried in Lone Fir Cemetery - near his mother's tomb, John's husband, daughter Belle, and baby Lillie - in a family plot he bought in 1899. Twelve years later, the Oregon Legislative Assembly named him "The Oregon Artist. " In the 21st century, the collection of the Portland Museum of Art; Oregon Historical Society; Pittock Mansion; Lake Crater National Park; The Bancroft Library at the University of California, Berkeley; Chicago Historical Society, and many others including examples of his work.
Notes and references
- Notes
- References
The work cited
- Allen, Ginny, and Klevit, Jody (1999). Oregon Painters: First Hundred Years (1859-1959) . Portland, Oregon: Oregon Historical Society Press. ISBNÃ, 0-87595-271-2.
- Barchus, Agnes (1974). Eliza R. Barchus: Oregon Artist . Portland, Oregon: Binford & amp; Mort. ISBNÃ, 0-8323-0245-7.
Source of the article : Wikipedia
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