Mormon Art is made up of all visual arts created to illustrate the principles and teachings of The Church of Jesus Christ of Latter-day Saints (LDS Church), as well as art derived from inspiration from an LDS religious view of an artist.. Mormon art includes paintings, sculptures, quilt works, photography, graphic arts, and other media, and shares common attributes that reflect the teachings and values ​​of Saint Latter-day Saints.
Video Mormon art
Tema dan estetika Mormon
Tema
Many thematic components can be found in Mormon art. This ranges from inclusive only from the faith of Mormon to the basic theme of simple spirituality that Mormon artists try to render in the more general landscape or subject matter.
Most of the Mormon art is Christian-themed and specific to Mormon faith. These include the biblical depictions of the Old Testament and the life of Jesus Christ in the New Testament, as well as scenes of the Book of Mormon and the history of the LDS Church. Many of the LDS history records depicted in this art include, what Mormon believed, the restoration of the gospel of Jesus in the mid-19th century, the scene of the life of Joseph Smith, Jr. such as the First Vision and his death, and the migration of the Mormon pioneers from Nauvoo, Illinois to Utah. Gospel principles of LDS, values, and church teachings are also important art themes, especially in the second half of the 20th century. These are often represented literally or allegory as in landscape paintings that represent spirituality, personal inspiration, God's love, and God's miracles.
Although the most common theme in Mormon art is historical and principle-based, specifically for the faith of the LDS, the decade after the founding of the church on April 6, 1830, and continuing through the end of the second half of the nineteenth century, little is revealed of these themes. Most of the artists who converted to Mormon faith came from England and mainly trained their talents by describing the scenery around the Mormon pilot migration route. Their English art education is concentrated on traditional English Romantic styles and themes rather than historical genres and themes. These themes rarely occur during the early church growth. One of the few exceptions that deviate from this category of Romantic art is the painting by William Armitage (1817-1890) London. The painting depicts LDS founder Joseph Smith preaching to Native Americans, and is assigned by the church to the Salt Lake Temple.
A British artist associated with the Romantic Romantic tradition of England was Frederick Piercy (1830-1891), who moved to church in 1853. His contributions to Mormon's art history are his sketches and paintings of the western landscape when he migrated to Utah. He compiled this rendering into a record of the MMA's LDS emigrants from Liverpool to the Great Salt Lake Valley. The Boston Museum of Fine Arts has a number of original works.
It was not until the late 1850s and thereafter, especially at the beginning of the First World War, when Mormon artists began painting historical and genre-based paintings to celebrate their faith in the church.
One of the first artists who started this historical trend in Mormon art was the birth of Scandinavian artist C. C. Christensen (1831-1912). He has practiced at the Danish Academy of Fine Arts and uses his talent to create one of his most famous paintings, Mormon Panorama , consisting of 23 paintings depicting church history.
Other artists who follow Christesen's thematic options are Minerva Teichert, LeConte Stewart, and Arnold Friberg. Of all this, Friberg is known for portraying the Book of Mormon stories and the history of the United States. One of his most recognizable paintings is the Prayer in the Valley Forge , featuring George Washington kneeling in the Valley Forge, completed in 1975.
Due to the rapid growth of religious membership in the 20th century, Mormon art created during this period reflects diverse cultural styles within the church and ranges from describing historical to personal interpretations of history, and also contains a spiritual and loyal basis.
The LDS Church attaches great importance to the strength and use of art. Mormon art is circulated primarily in the church community through monthly magazines published by church and church posters used to teach Sunday School classes, Homes and Visits, and missionary work. Magazines distributed monthly to members with subscriptions are Ensign , Liahona , New Era , and Friends . The purpose of Mormon art creation and circulation is to inspire and encourage LDS members, and to instruct and remind them of the teachings and values ​​of the church.
The popular method of reaching youth is through "Mormonads" (posters with social or religious messages), available through the New Era (teenagers of the LDS Church), church websites, and independent church bookstores. Mormonads are available in poster size and index card size.
Diversity of aesthetics and similarities
Mormon art does not claim a particular style or aesthetic. Considered as a youth religion, Mormonism is not quite 200 years old and has grown especially in the 20th century, as artistic and cultural freedom are simultaneously increasing. Today, there are more LDS church members outside the United States than inside. Therefore, Mormon art varies greatly in style.
Richard G. Oman, an LDS art expert and acquisition curator for the LDS Church History Museum before 2010, states in a quotation about visual artists in the Encyclopedia of Mormonism that the church deliberately does not limit the LDS artistic style to promote the diversity of styles:
"The absence of an official liturgical art has led the Church not to direct its artists into certain stylistic traditions, which is very conducive to various art as the Church has developed into many different cultures, with different styles and art traditions."
The LDS Church recognizes the differences in demographics and cultural differences within the church. Oman says that the church consequently embraces and promotes various artistic attributes to "expand [the perspective] so that the Saints around the world will be celebrated."
One way the church showed their support for Mormon art around the world was by establishing and organizing the International Art Competition in 1987. The Church History Museum advertises that:
â € Å"The Latter-day Saint artists are citizens of many lands and come from many backgrounds of life - and their diverse experiences are reflected in their art, because art is an important part of Latter-day Saint life and communication. The Church History Museum continues to encourage artists around the world to express their faith through their original traditions. "
Competitions and exhibitions of juridians are held every three years, inviting LDS artists around the world to create and submit works of art related to the gospel theme dedicated to the year in which the event is held. A number of works of art were then exhibited at the Church History Museum. The most recent is the Ninth International Art Competition, which runs from March 16, 2012 - October 14, 2012. The theme is "Make His Beautiful Works Famous." More than 1,150 artists came in, and the museum featured 198 works. Prizes were awarded to 20, and 15 artworks had been purchased by the museum, adding to the vast collection of church artwork.
Collections, scattered throughout the temple of the world and also held at the Museum of Church History, including a collection of Rembrandt paintings. In 2005, the museum exhibited 48 of 70 biblical paintings in Rembrandt. The museum earned 17, with the remainder lent by the Art Museum at Brigham Young University and by a private collector. Biblical Etchings, including Old Testament stories such as the story of Abraham, and scenes from the life of Jesus Christ in the New Testament. The collection was exhibited from 14 May 2005 to 14 December 2005, and was online for a short time after the museum exhibit. Some of the etchings obtained for the collection are Portraits of Self Leaning on Sill Stone , 1639; Christ and the Samaritan Woman , 1658; and Christ Ministering , about 1640-49.
Despite the variety of styles produced by LDS artists from around the world, all LDS art is intertwined with the way religious beliefs are shared. Oman also wrote about aesthetic uniformity:
"While the work of LDS artists encompasses many historical and cultural styles, their unity comes from their shared religious beliefs and from the repetitive LDS religious themes in their works... Some of the aesthetic constants of LDS artists are narrative traditions in paintings, a tribute to nature, the absence of nihilism, the support of traditional social values, respect for the human body, strong aesthetic structures, and strong skills... The artists sharing religious beliefs and values ​​have continually inculcated the tradition with meaning.
Other contributors to the Encyclopedia of Mormonism are Martha Moffitt Peacock, Professor in Art History and Associate Director for the Center for European Studies at Brigham Young University. In terms of Mormon art and its spiritual similarities, he writes that this spirituality also encourages aesthetic diversity:
"Much of the discussion about" Mormon aesthetics "has occurred in recent years, but it seems that the very personal nature of this spiritual artistic quest impedes the usual aesthetic achievements."
Maps Mormon art
Leading Mormon Artist
- C. C. A. Christensen
- James C. Christensen
- Avard Fairbanks
- Arnold Friberg
- Greg Olsen
- Frank Ray Huff, Jr.
- Angela Johnson
- Brian Kershisnik
- Del Parson
- Walter Rane
- Liz Lemon Swindle
- Minerva Teichert
- Stanley J. Watts
Popular non-Mormon artists used by LDS Church
- Harry Anderson
- Carl Heinrich Bloch
- Heinrich Hofmann
See also
- Latter-day Saint table: artist
- List of Utah artists
- List of Mormon Cartoons
- Mormon folklore: material objects
- Mormon literature
- Mormon Music
- Symbolism in The Church of Jesus Christ of Latter-day Saints
References
Further reading
Compton, Todd (1992), "Symbolism", in Ludlow, Daniel H, Encyclopedia of Mormonism , New York: Macmillan Publishing, pp.Ã, 1428-1430, ISBNÃ, 0-02-879602-0, OCLCÃ, 24502140 Cooper, Rex E. (1992), "Symbol, Culture and Artistic", in Ludlow, Daniel H, Encyclopedia of Mormonism , NewSource of the article : Wikipedia
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